Sunday, February 28, 2010

Get the Warhol Wig before Urbn Outfitters does!


I am currently absolutely obsessed with Andy Warhol, and if you are a fan of Pitchfork.com, so will you. Hipsters are nothing new and the term only makes sense if put into the context of time. The first-wave hipsters were the suburban white kids who wanted to be black and ghetto and listened to Coltrane, the second-wave hipsters were suburban white kids who were into flipping the finger and listened to The Ramones and now we have the third-wave hipsters, who are suburban white kids who are into being ironic and are currently listening to the new album by Joanna Newsom.
People say that our generations hipsters don't really have much to say, but I think that's a little harsh. Hipsters are the calm before the storm. They are the in-between from movement to movement in American subcultures. The first movement in hipsterism somehow ended up in the Hippie generation of the 60's, the second movement resulted in Punks, so what, may we ask, is the third movement going to result in? A generation full of Andy Warhols! (Kawaii!)
In the Andy Warhol subculture that is going to emerge in middle America and change the course of history, kids will be sexually fluid to the point of asexuality, obsessed with technology, loving and hating consumerism, ironic (oh, so ironic) and wearing white wigs.

I am already bored of Legs McNeil

And check out this sweet blog: The World of Wonder

A series of connections


Artist, Brandy Copiur, takes the book "The Radicant" to heart.
Artist Brandy Copiur, 24, who became somewhat of a celebrity in her celebration of non-celebrity has recently announced that she is going to kill herself for her final work of art. She plans to have scientists use her post mortem body parts to help create a special fibre optics that has been announced by the scientific world as the solution to 'slow internet' in under developed countries. Recent research in Culumbia University found that there is a special fibre in human parts, called The Trivial, that can be used to construct a certain type of fibre optics that will far surpass our current technology of fibre optics. Scientists are especially excited because they found that construction of this new technology is highly cost effective because the majority of the materials come from a currently understood as unlimited resource: dead people. It has been speculated that if this technology becomes the it IT thing of the future, underdeveloped countries like Bangladesh will never have to worry about slow internet ever again.
Artist, Brandy Copiur, inspired by the book by Nicolas Bourriaud, has announced that she wants to dedicate herself to this cause. Copiur who rose to fame with her still continuing art-piece, 'I Refuse to be Seen", which involves her refraining any photos of herself to be uploaded to the internet. She has, almost miraculously, managed to keep herself completely closed off from the public eye in this ctrl+S universe where even my tabby cat, Ginger, is no longer safe from Facebook and other such constant and merciless means of documentation. In her exclusive interview for Pomonow, the artist said, "Bourriaud said in his book, 'The modernity of the twentieth century was pased on coupling the human to the industrial machine; ours confronts computing and reticulated lines.' I want to be, like, you know, a person who brings forth this idea of Altermodernity out to the world. Not many people have really read the book so they don't know. I want to tell everyone in the world that, yes, this is the new post-modern and what better way that to make my dead body to become a part of something that really symbolizes this change: the internet."
Criticism has already started to flow in, the main topic of outrage being that the artist is missing the point of the book. Many say that she has taken the lines "No doubt, one could describe the ambition of the twenty-first-century artist as the desire to become a network" a little too much to heart. The upper middle class in Bangladesh, however, are overjoyed and have named a new road in the ever expanding capital, Dhaka, after her.

Sunday, February 21, 2010

RIP Stuart Rimes


One of the greatest poets of the 21st Century, Stuart Rimes, dies at the age of 27.
Stuart Rimes, noted by critics and fans, as one of the most renowned poets of our generation dies of a cardiac arrest. The case is currently being investigated by the police and details are being held from the general public as investigators speculate that the death might have been caused by 'unnatural ways'.
The artist led a very public life, being constantly under the spotlight since his modeling days. He rose to fame after becoming the face of Walmart and really reached a rockstar status after his brief romantic stint with Paris Hilton. He rose to fame as a poet after his book Die baby, die won the prestigious Griffin Poetry prize in 2005.
Today he is no longer with us but Pomonow features the last interview with the poet extraordinaire, Stuart Rimes, taken 5 days before his tragic death.
We will miss you. XOXO.

Save the Batz


A environmentally conscious lip gloss manufacturer markets a new line of lipgloss to promote awareness about the depleting bat population in the Philippines due to deforestation. They are planning to team up with Environmental Biologist, Jodi Sedlock, a professor at Lawrence University, WI in an attempt to "save the batz". Sedlock is currently working on documenting the behavior and population of insectivorous bats in the Philippines. So far, Jodi Sedlock has refused to associate herself with the project but the company maintains that she has been their number one inspiration. Reliable sources reveal that Sedlock does not agree with the main focus of this project and that in reality, their project does not particularly pertain to anything related to her research. She is reported to have said that, "They don't really care about bats. I think they are more interested in the different flavor names that can be named after the different species of bats." I mean, bats are definitely in this season.

Sunday, February 14, 2010

I've been looking...


For the past couple of days I have been coming up with ideas that I would want to execute for the magazine and researching on other cool subculture magazines. I have not been on campus so it has been hard for me to really execute any of the plans but I have gotten my hands on some awesome mags to inspire the magazine design and interface.

First up, I am thinking about doing some outrageous video collaboration with fellow artiste, Nick Stahl. These videos will function as something being featured in the magazine as well as be included with the bound copy in form of a dvd perhaps. Our inspiration was this really interesting music video that Nick found, called Plump Bisquit by Femme En Fourrure. Please check out the vid. It's real crazy. We plan to make something visually interesting like that. It probably won't make any sense at all but we figured that it doesn't have to.

Second, I found these two magazines: Code and Lemon. Code is a street fashion magazine from Holland and Lemon Magazine claims to represent pop culture with a twist. I am looking through these magazines to help me in terms of formatting and designing. I have also been trying to get the hang of Indesign. Real fun.

Sunday, February 7, 2010

My very own Hipster Mag: Post Modern Now

So, I guess I have changed my mind about doing the mouths video. I started working on it and the prospects seemed highly uninspiring. I guess it could be kinda funny but I'm not willing to make bets on it.

So now, instead of that, I am going to make a fake hipster magazine. So far, I have worked on the cover and brainstormed a few ideas for potential articles that will be featured in the magazine. All the advertisements and artwork will be photographed or created by me, but I will have a few of my friends write the articles. I hope it will be interesting.

A few ideas for features:

Josh Youngren: the top 10 albums of 2011
Sivanich takes on Vonnegut
Evan Micheal Tracy "I hate living." and "My life's a joke but I know it."
Special fashion spread: the post hipster

You don't Nomi me either, Love -Andy

Everyone knows Andy Warhol. He projected the image of the quintessential pretentious artist and just like Klaus Nomi, his image was very constructed. However, I personally find Warhol to be a lot more interesting because his persona is a lot more consciously constructed and it is as meticulous as it is annoying. He said he loved plastic and that he wanted to be plastic.

The lecture did not make any particular impression on me but I found it very interesting that Andy Warhol changed as an artist as a result of the assassination attempt on him. Warhol thoughts on the attack were: "Before I was shot, I always thought that I was more half-there than all-there – I always suspected that I was watching TV instead of living life. People sometimes say that the way things happen in movies is unreal, but actually it's the way things happen in life that's unreal. The movies make emotions look so strong and real, whereas when things really do happen to you, it's like watching television – you don't feel anything. Right when I was being shot and ever since, I knew that I was watching television. The channels switch, but it's all television."

The lecture was about Andy Warhol's work in his last decade and since I knew very little about his later works, I was all ears. I was disappointed to find that the lecture seemed to scream a lot of you-just-had-to-be-there and there wasn't really anything said that stuck to me or swayed my ever eager heart. I suppose the most I remembered about was how he revisted his earlier works and turned them into memento moris. I share Warhol's fascination with popular culture and popular imagery and find it interesting how he started to look at those very same objects/people that he treated as symbols of whimsy from a very different perspective after his brush with death. Makes me wonder what Hello Kitty would mean to me if someone attempts to kill me.

Anyway, I'm sure the exhibition is really great and a work of curatorial genius.